The Top Films of 2012 (Take 3)

The Night of the Living Oscars is almost upon us, which means it’s time for film buffs everywhere to make lists and make desperate attempts to compare apples to oranges in order to decide which one goes where. My attempts are as follows:

The Top 10 Films of 2012:

10. The Raid: Redemption
This is the Tony Jaa film with no Tony Jaa, and I wish that Ong Bak 2 & 3 had been anywhere near as good as The Raid. With a similar setup to Dredd, involving a multi-storied building on lockdown while hordes of tenants fight our protagonists, The Raid has excellent fight choreography that is creative, rapid-paced, and as is essential for a martial-arts action film, in plentiful supply. The Raid doesn’t bog itself down trying to make the story any more than it needs to be; it doesn’t feel tacked on but it doesn’t overburden the rest of the film and take away from the action either. A solid piece of adrenaline-laced action filmmaking.

9. The Grey
A sobering story about a man who has nothing to live for fighting to survive in the harsh Alaskan wilderness, The Grey isn’t just a film about the struggle against the natural world, but a personal look at a man’s conviction in the face of death, despite the pain and sadness in his past. Liam Neeson shows some real acting chops here, and seems to really delve into the role instead of going through the motions. What could have been a by-the-numbers survival story digs a little deeper and the result is powerful.

8. God Bless America
Perhaps it’s the cynical asshole in me, but throughout almost all of God Bless America I had a smile plastered across my face. With his death looming over his day-to-day suffering, Frank (Joel Murray) decides to cleanse the world of modern society’s shortcomings. Watching Joel Murray do what we have thought about once or twice in our darker moments is almost cathartic, and the entire film has a biting wit to go with the carnage that it portrays. Dark comedies, such as the work of Todd Solondz, never seem to get much exposure; perhaps because they sometimes strike a little too close to home. God Bless America fits the genre perfectly by making you want to laugh and despair at the same time.

7. Cloud Atlas
The Wachowski’s & Tom Tykwer’s brazenly ambitious Cloud Atlas is a film I kept thinking about for days. At first it was almost difficult to keep up with the many stories running concurrently, but the film quickly settles into a rhythm, and it’s an impressive sight to behold. Each arc goes through the build up and climax of their story simultaneously, with actors playing multiple characters at different points in time, all the while different key elements of one story will have an effect on another that takes place later in time. Some elements aren’t even central to the plot, but when you notice that the buttons stolen by one character are now a necklace worn by his descendant in the far-flung future, it’s a nice touch. Cloud Atlas is a multilayered epic that deserves multiple viewings.

6. Prometheus
As a long-time fan of the Alien franchise, this was easily my most-anticipated film of 2012. The original director my personal favorite, Alien (1979), returning to create a prequel that delves into the origins of the Xenomorphs? Yes, please and thank you. Prometheus, however, is quite the tease. While we get fantastic special effects, some great sci-fi storytelling and a healthy dose of horror and action, we also get plenty of questions that don’t get answered. While some may feel this detracts from the film, with a Prometheus 2 allegedly in the works, those questions may yet be resolved, and really, Prometheus stands just fine without having everything explained. Didn’t the original Alien? With that in mind, there’s plenty to love here, and Fassbender’s excellent performance as David deserves a little more attention. For Wes’s review of Prometheus, go here.

5. Frankenweenie
Frankenweenie, Tim Burton’s love letter to the films of his youth, proves that Burton still has that charm that makes his older films so enthralling. It’s a shame that this and ParaNorman did somewhat poorly at the box-office, especially since stop-motion is one of my favorite methods of filmmaking; we may be seeing some of the last big-budget stop-motion films for quite some time. For a more in-depth look at Frankenweenie, check out my original review here.

4. Life of Pi
Not having read the book, I wasn’t sure what to expect with Ang Lee’s Life of Pi. From the trailers I had no doubt the film would be a visual feast (and it is), but all the visuals in the world mean nothing if there isn’t a solid core story. Fortunately, Life of Pi is a colorful and vibrant story about a young man who survives a shipwreck told in flashback, and somewhat like 2003’s Big Fish shows that the perception of a story may in fact be more honest than the basic truth. Simply put, Life of Pi is a fantastical tale that blurs the line between fantasy and reality.

3. Cabin in the Woods
As much as I love horror films, I’ll be the first to admit that the bulk of the genre is plagued by almost anything that can be bad in a film. Perhaps one of the worst is the overuse of clichéd plots that we’ve all seen a billion times over. And surprisingly, that is what makes Cabin in the Woods such a stellar film. I had expected a decent movie, I wasn’t expecting a film that poked fun at tired horror conventions while using them to construct an enthralling look at the horror movie itself. Even those who aren’t horror fans should give Cabin in the Woods a look, if only to see the jaw-dropping turns the story takes. For David’s review of Cabin in the Woods, go here.

2. Moonrise Kingdom
Wes Anderson continually impresses with his work, Moonrise Kingdom is likely one of his best efforts. Between the amazing cast all turning in excellent performances, the camerawork so good each shot could be a piece of art, and a compelling story that captures youthful love and rebellion, it’s hard to find anything that hasn’t been carefully tuned to perfection by Mr. Anderson. This editor hopes that we can look forward to more of the same. For David’s review of Moonrise Kingdom, go here.

1. Django Unchained
While Quentin Tarantino had used elements of the Western genre in nearly every one of his films, he’d never simply made a Western. Django Unchained is that Western, and it succeeds admirably. A revenge/rescue story set in the pre-Civil War south, the oftentimes cartoonishly violent and racially charged plot sees Django (Jamie Foxx) becoming a bounty hunter as he attempts to rescue his wife. Where Tarantino’s films really shine is with character performances, enhanced with great dialogue for those performances, and Django Unchained does so through superb performances by the always-impressive Christoph Waltz and a knockout performance by DiCaprio as the villainous Calvin Candy. With yet another of Tarantino’s carefully picked soundtracks backing it, Django Unchained is a fine addition to the director’s lexicon.

Honorable Mentions:
Stuff that didn’t make the cut, but is still worth talking about.

7 Psychopaths – Martin McDonagh’s In Bruges (2008) was easily one of my favorite films of that year, and his latest offering is nothing to sneeze at either. With some excellent performances (Sam Rockwell, Christopher Walken, and Tom Waits are all great) and repeated “I didn’t expect that at all” moments, 7 Psycopaths was just shy of making the list.

Argo – Ben Affleck’s film about the 1979 Iran Hostage Crisis is a competent film, and while I’m not sure that I’m as impressed as some are by it, there’s certainly nothing overtly wrong with it, and it’s a solid, engaging piece of work.

The Avengers – I doubt there’s anyone who hasn’t seen this film, but I’m including it here simply because when it was being made I thought that I was going to hate it. There was no way that anyone could make a superhero league film that wasn’t all over the place. But Joss Whedon managed to make a decent film that, though not flawless by any means, surprised me. Kudos to you, Mr. Whedon. Wes’s review can be found here.

The Dark Knight Rises – After The Dark Knight (2008), The Dark Knight Rises had some big shoes to fill. Too big, perhaps. While I still maintain that it is a good film, I can’t get past some of the suspension of disbelief that is required. It’s a shame that it doesn’t live up to its predecessor, but there’s still plenty of cinematography, great acting, an impressive score and intense action sequences that make it better than just average.

Dredd – Though Stallone’s Judge Dredd (1995) does the comic book character no justice, 2012’s take on the character was much more in-line with the tone of the comics. A gritty, brutal action movie that was a pleasant surprise, especially given that didn’t expect anything from it.

Looper – While Looper might have some major plot holes, the film is done with such style and conviction that they can be set aside. Joseph Gordon-Levitt gives a notable performance as a young Bruce Willis, and the subtle make-up only enhances the effect. The psychic-powerhouse bit is cool too. Wes’s review can be found here.

ParaNormanParaNorman is a stop-motion film about a boy who can see the dead and must save his town from a witch’s curse. Like the aforementioned Frankenweenie, ParaNorman is visually impressive, and though the story drags sometimes, it’s worth noting for the amount of craft the Laika team put into it.

The Pirates!: Band of Misfits  – Yet another stop-motion film worth mentioning, from the amazing team at Aardman (Wallace & Gromit, Chicken Run). It gets a bit too juvenile for my tastes at times, but the entire film is a visual treat, and genuinely funny at times.

Sinister – Though there are issues with Sinister, it still is one of the better horror films to come out in 2012. There are moments that are truly creepy, and moments that are truly disturbing. Something about the home camera aspect makes the entire movie have an unsettling vibe, the atmosphere (aided by some great use of the band Boards of Canada) will stick with you, and that alone makes this film worth mentioning.

Skyfall – A noticeable improvement over Quantum of Solace (2008), the newest Bond film serves up some great sequences and top-notch cinematography, and one of the better Bond songs. Craig continues to impress as a no-nonsense take on the 007 character, and more of these to come is good news.

Wreck-It RalphWreck-It Ralph was a strong contender for my Top 10, but Sarah Silverman’s character too often tread into annoying instead of charming. That aside, it’s a great movie that is considerably improved by the plethora of videogame character cameos. If you consider yourself an avid gamer (not you, CoD players), you’ll get a kick out of simply spotting all the references.

Worst 10 Movies of 2012
Though I wish I had descriptions for each of these films, I’m finding it hard to muster up the desire to expend any more time on them than I already have. They already stole several hours of my life, so this simple list will hopefully represent the last of such theft.

10. Step Up Revolution
9. Ghost Rider: Spirit of Vengeance
8. The Cold Light of Day
7. Resident Evil: Retribution
6. Mirror Mirror
5. Journey 2: The Mysterious Island
4. The Devil Inside
3. That’s My Boy
2. One for the Money
1. 3 Stooges

Disappointments:
The stuff that should have been great, but wasn’t. YOU WERE THE CHOSEN ONE!

The Man with the Iron Fists
Despite David’s review, I still had this one on my watchlist because the trailer had looked promising. While The Man with the Iron Fists does many things well, such as the multitude of eccentric characters, it just isn’t quite what it could (and should) be. The camerawork leaves something to be desired, the CG blood / special effects look terrible and take you right out of the film, and the ending could have really used some extended fight scenes. Hopefully RZA can fix these kind of grievances and give us the 70’s kung-fu film that will do the genre justice.

Iron Sky
Unlike Abraham Lincoln: Vampire Hunter, Iron Sky seemed to have tongue planted firmly in cheek from the outset. Nazis on the dark side of the moon is a delightfully ridiculous premise, and the trailer had me excited for something that played up the cheese while being thoroughly creative with that license. While Iron Sky attempts to reach this goal, it bogs itself down by going in the completely wrong direction, and while there are laughs to be had here and there, too much of what we get consists of a boring subplot and wasted potential.

Brave
Now, let’s be clear that I don’t consider Brave a bad film by any means. It’s a visually impressive movie that doesn’t have any major flaws. But Pixar has a fairly impressive track record (barring the Cars films, in this editor’s opinion), so I had very lofty expectations after seeing the first trailers. Brave’s story, however, is simply lacking that special touch that would make it stand with the other Pixar greats. In other words, Brave is a good, not great film. And that is disappointing.

Missed:
Films that weren’t seen in time to make (or not make) this list.

Amour
The Imposter
Lincoln
The Master
The Perks of Being a Wallflower
Robot & Frank
The Secret World of Arrietty
Silver Linings Playbook
Shame

-Adam

Looper (2012)

I’ve been a fan of Rian Johnson’s work since I first was blown away by his slick, modern day high school film noir, Brick. Johnson reunites with his star from Brick, and Hollywood’s It-guy for the moment, Joseph Gordon-Levitt with his new film Looper. With the critical success of Brick and some memorable guest directing spots on Breaking Bad (the best show on TV, FYI), Looper has catapulted him into the appeal of the masses, and rightfully so. It’s being billed in ads as an action movie, but do not go into this expecting Expendables 2 style “blast the ever-loving shit out of anything that moves” action. Looper is a very intelligent film dealing with complex concepts. It’s not all about blowing shit up, though that does happen a lot.

I could spend a really long time discussing the time travel aspect of the story, but I would be doing two things if I went into insane detail. First, I’d ruin a great deal of the plot for anyone who hasn’t seen it. Second, I would talk myself into circles. This is the kind of film you have to treat like a wave. Instead of fighting the current trying to get to the top of it, just relax and let it wash over you. You’ll absorb more of it’s impact and more than likely that you’ll get the ride you’re looking for. There is a phenomenon that seems to happen almost every time a time travel film is released. People spend a lot of time picking through movies like this with a fine-tooth comb trying to find a mistake or plot hole. Because obviously the details and ramifications of time travel are perfectly clear to all film critics (professional or amateur) and IMDB trolls, yet elude the smartest scientists on the planet. But fear not, faithful reader or random guy in Hoboken who clicked on this link by accident! I shall not ruin this great film for you by pecking it to death, but here’s a taste of the plot for convention’s sake:

The attention to detail regarding the effects of characters jumping back in time is staggering. In other time travel films, the ability to travel into the past or future is usually a secret known only to the character(s) involved in the act. In Looper, both present AND future versions of the same character are aware of time travel in addition to nearly every other character in the film. This exponentially multiplies the difficulty in crafting a story as tight as this. For example, the scene in the trailer above where Gordon-Levitt and Willis are in the diner. Levitt uses the fact that any change in mindset or physical act by him changes Willis’ existence instantly, including his scars, memories, motivation and judgment. Johnson’s script challenges the audience, constantly asking us to rethink what we just saw, are watching presently, and what we think is about to happen in the film. When a movie engages me on this level, even if the payoff isn’t what I thought it would be or wanted to happen, it’s still going to end up a good film in my book.

Joseph Gordon Levitt dons some fairly subtle make-up that gives him the appearance of a young Bruce Willis. More impressive than this is Gordon-Levitt’s mimicking of Willis’ mannerisms and speech. While it was probably easier to do this with your source being on set with you, it’s incredible what Gordon-Levitt achieved. He nailed Willis’ accent as well as the odd sideways smirk that you see from Bruce does naturally. No doubt they had a lot of fun with this during filming. While the special effects are not jaw dropping, the look of Johnson’s future is realistic and a bit humorous. Kinda funny to see someone driving a rusted out Prius. The supporting cast is equally impressive featuring Jeff Daniels, Paul Dano, Emily Blunt, Piper Perabo & the surprisingly versatile Garret Dillahunt.

I’ll touch briefly on the use of telekinesis in the film (which 10% of all people have in the future, can’t wait). You can see snippits of it on the trailer and I’m sorry, but this shit is fucking cool. I mean, if I could float a coin three inches above my palm I’d do it all the time. Every time it popped up in the plot, it reminded me more and more of the epic anime film, Akira. That’s a huge stretch for a connection, I know, but that’s what went through my head as events unfolded.

If you are a fan of Rian Johnson, Bruce Willis, Joseph Gordon-Levitt, all of the above, or just science fiction in general, then there is absolutely no way you can miss Looper.

-Wes Kelly